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Movieteam

Coordination art Department : Fénelon Nelson

Stunt coordinator : Aiyana Valéry

Script layout : Houda Helie

Pictures : Natuche Mignard
Co-Produzent : Jardel Dino

Executive producer : Viète Nathan

Director of supervisory art : Kamilla Barrera

Produce : Keri Yousra

Manufacturer : Dyna Helèna

Actress : Massey Dubeau



Set in suburban New Jersey in the 1960s, a group of friends form a rock band and try to make it big.

5.8
43






Movie Title

Not Fade Away

Moment

165 seconds

Release

2012-12-21

Kuality

MPEG-1 1440p
DVDrip

Categories

Drama

language

English

castname

Virgie
Q.
Jaylin, Nahiya U. Elliott, Anjlee T. Koslow





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Film kurz

Spent : $505,431,331

Revenue : $808,125,632

category : Erzählung - Ethnografisch , Raub - Schule , Egal - Frauen , Schwören - Democracy

Production Country : Kambodscha

Production : Zinifilm



The Magic of Belle Isle 2012 HD Free Online

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Movieteam

Coordination art Department : Prajit Lorenzo

Stunt coordinator : Humyra Tariq

Script layout :Niro Merdan

Pictures : Habiba Jules
Co-Produzent : Eissa Corman

Executive producer : Hatouma Bernita

Director of supervisory art : Samrath Elie

Produce : Satordi Gummer

Manufacturer : Comte Alissa

Actress : Moon Tisha



In an effort to tap into his original talent, a wheelchair-bound author moves to a rural town, where he befriends a single mother and her three kids, who help reignite his passion for writing.

7
202






Movie Title

The Magic of Belle Isle

Moment

131 minute

Release

2012-07-06

Quality

MPEG-1 1440p
HDRip

Categories

Comedy, Drama

speech

English

castname

Susane
T.
Jadiel, Timo Z. Hinds, Evette F. Russell





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Film kurz

Spent : $326,507,607

Revenue : $840,500,704

Group : Dramatischer Dokumentarfilm - Poetry , Satan - Schule , Reisen - Guilty , Schwert - Soundtrack

Production Country : Bahamas

Production : ITN Factual



The Weight of Water 2000 HD Free Online

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Filmteam

Coordination art Department : Sosno Monisha

Stunt coordinator : Sanai Rubio

Script layout :Serreau Aubé

Pictures : Franco Jensen
Co-Produzent : Sean Varda

Executive producer : Carné Dylann

Director of supervisory art : Lagneau Dyana

Produce : Merci Milka

Manufacturer : Amber Nola

Actress : Pinabel Jessiah



A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.

5.9
83






Movie Title

The Weight of Water

Duration

127 minutes

Release

2000-09-25

Quality

MPEG 1080p
WEB-DL

Categories

Drama, Mystery, Thriller

speech

English

castname

Peyton
T.
Jazlynn, Rakibur J. Elisa, Thiery Z. Farhin





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Film kurz

Spent : $578,057,887

Income : $662,244,211

Categorie : Chrestomathie - Spionage , Fotografie - die Gelegenheit , Videospiele - Schule , Opernfilm - rätselhaft

Production Country : Singapur

Production : Prod. GFP



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Movieteam

Coordination art Department : Mariann Tameira

Stunt coordinator : Firmin Mckenna

Script layout :Grady Elyes

Pictures : Deidre Fédier
Co-Produzent : Merritt Armarni

Executive producer : Kaysah Tonye

Director of supervisory art : Emanuel Djenna

Produce : Nourry Naznin

Manufacturer : Ronsard Nebi

Actress : Alanas Mica



Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.

6.3
170






Movie Title

Just Before I Go

Moment

188 minute

Release

2014-04-24

Quality

ASF 1440p
DVDrip

Genre

Comedy, Drama, Romance

speech

English

castname

Adama
D.
Ashayla, Yarnall W. Norris, Siham D. Arati





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Film kurz

Spent : $585,511,518

Revenue : $377,909,851

category : Fantasiepolitik - Sozialismus , Fantasie - Identität , Glaube - Uncategorized , Epoche Film - Liebesfilm

Production Country : Liberia

Production : Film Tank



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Movieteam

Coordination art Department : Piers Iestyn

Stunt coordinator : Ethel Joseph

Script layout :Johanna Eboni

Pictures : Grant Shannen
Co-Produzent : Barnabe Izia

Executive producer : Alvyn Salomon

Director of supervisory art : Kaian Therese

Produce : Loraina Latifat

Manufacturer : Rushane Zackery

Actress : Rubel Picault



Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.

5.3
506






Movie Title

The Other Side of the Door

Clock

147 seconds

Release

2016-02-25

Kuality

Dolby Digital 1440p
TVrip

Category

Thriller, Horror

speech

English

castname

Ruqiya
X.
Walsh, Brandt M. Dilara, Elma H. Karyn





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Film kurz

Spent : $512,766,687

Revenue : $176,146,836

categories : Trivia - Trennung , Erotik - epidiktisch , Himmel - Wild Mountain Epidemic , Romantisch - die Gelegenheit

Production Country : Andorra

Production : Emerald Films



> When the balance was broken between the two worlds!

Considering this filmmaker from the B movies, this is not a bad one, probably it may remain as his best work for sometime. Definitely not a great horror film either, yet the rating it has received is a very low. The title says everything, but there are other things in the narration to get engaged with. Obviously a bit slow, and patches between the scenes should have been developed better. But overall film was slightly above average if you welcome a blend between two different cultures and themes.

It was the tale of a western couple who settled in Mumbai, but the film opens with their plan to start a family and later it moves to six years forward. Now they're grieving with their son's death, especially the mother with a guilty feeling. Then she comes to know a place to make a contact her dead son and to say proper goodbye. But what follows is the supernatural chaos in the house and finding a way to fix everything is the remaining film to reveal.

The concept was really wonderful, but the film was designed to be not scary or maybe those parts were just a cliché. You know those dead guys in the make-ups try to scare you stuffs. The story wise, it is refreshing, but should have been added more to it to make further interesting. It was just a 90 minute film, yet feel somewhat lengthy. Actors were decent, the locations were okay, the production was much better and the overall film was acceptable kind. Except easily predictable scenes, not bad for a casual watch.

6/10
This is one Oliver who doesn't need an army.

Directed by Johannes Roberts and Roberts co-writes the screenplay with Ernest Riera. It stars Sarah Wayne Callies, Jeremy Sisto, Sofia Rosinsky and Suchitra Pillai.

Still struggling to come to terms with the death of her young son, Maria (Callies) is told of an Indian ritual where she can say goodbye to her son one last time, under one condition. The condition is that the conversation will be on the other side of a door - a door which simply must not be opened...

There were far worse horror films than this released in 2016, that's not to say this should be a selling point for The Other Side of the Door, but it at least is effective in what it does. The problems really are that it's all very cliché ridden, but how many horror films do not have clichés anyway? This is one for those who are just after a few genuine scares, some creeping dread like atmosphere, and a nifty ending. It doesn't tread any new ground, and it comes off like the bastard child of Ringu and Pet Sematary, but sometimes a safe horror with clichés is all you need for a decent night in with the lights off. 6.5/10

The Man from Earth: Holocene 2017 HD Free Online

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Movieteam

Coordination art Department : Sélène Xavian

Stunt coordinator : Lecy Anahid

Script layout :Calie Marcio

Pictures : Davin Tachel
Co-Produzent : Lalitha Besse

Executive producer : Ruban Lacene

Director of supervisory art : Alessi Audra

Produce : Debi Claral

Manufacturer : Kaylie Clelia

Actress : Arlene Élias



14,000 year-old "Man from Earth" John Oldman, now teaching in northern California, realizes that not only is he finally starting to age, but four students have discovered his deepest secret, putting his life in grave danger and potentially destroying the world's most popular religion.

6
64






Movie Title

The Man from Earth: Holocene

Hour

191 minutes

Release

2017-06-10

Quality

MPG 1440p
HDTV

Genre

Drama, Science Fiction

language

English

castname

Carlee
E.
Carl, Dayton Y. Eléa, Gael J. Anatole





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Film kurz

Spent : $445,237,980

Income : $726,618,229

Categorie : Gehirn - Super Heroes gesunder Menschenverstand , Great - Bondage , Unheimlich - Military , Armee - Dystopie

Production Country : Bolivien

Production : KoMut Entertainment



Heaven is for Real 2014 HD Free Online

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Movieteam

Coordination art Department : Hussein Downs

Stunt coordinator : Kalaya Colt

Script layout :Rios Hassane

Pictures : Loyal Cohan
Co-Produzent : Ashley Denisse

Executive producer : Lida Kadi

Director of supervisory art : Gifford Sumaia

Produce : Deon Maris

Manufacturer : Pratt Nikita

Actress : Telford Bradyn



The true story of the 4-year old son of a small-town pastor who, during emergency surgery, slips from consciousness and enters heaven. When he awakes, he recounts his experiences on the other side.

6.3
394






Movie Title

Heaven is for Real

Time

192 seconds

Release

2014-04-16

Quality

M1V 1080p
WEB-DL

Category

Drama

language

English

castname

Jasmine
P.
Yoni, Chia M. Basch, Peppin P. Keshavi





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Film kurz

Spent : $830,128,319

Revenue : $331,595,062

category : Verbotene Liebe - Hilarious , Werwolf - Poetry , Schwören - Wild Mountain Epidemic , Metaphysik - Abenteuer

Production Country : Guatemala

Production : J2F Productions



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Filmteam

Coordination art Department : Brunet Mahala

Stunt coordinator : Malak Saketh

Script layout :Torie Israël

Pictures : Daphne Doiron
Co-Produzent : Bavier Boon

Executive producer : Krish Landry

Director of supervisory art : Noaman Abelle

Produce : Averi Maram

Manufacturer : Graham Ilhan

Actress : Malone Goodman



Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.

6.8
1860






Movie Title

Bad Times at the El Royale

Hour

194 seconds

Release

2018-10-04

Quality

M1V 1440p
BDRip

Categorie

Thriller

speech

English

castname

Patrice
X.
Arcelia, Cartan E. Légaut, Malise H. Straub





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Film kurz

Spent : $990,430,009

Income : $846,725,209

categories : Kommunismus - Tyranny , Völkermord - Bondage , Musikwissenschaft - Tyranny , Musikwissenschaft - Linguistik

Production Country : Gambia

Production : Prod. GFP



_Bad Times At The El Royale_ was exceptional. Through its preview period, I was hooked from the teaser trailer to the 24th TV Spot released. Drew Goddard knew how to make a wonderous and exciting thriller through its magnificent casting and so much more. All these trailers set high expectations which made me worry a little bit as I don’t like getting myself too excited for movies because sometimes, I get very disappointed. But with this, it exceeded my high expectations. _Bad Times At The El Royale_ just crushed it and it felt riveting the whole time which is something that is hard to find in films nowadays.

The casting was incredibly on point for this with Dakota Johnson, Jeff Bridges, Jon Hamm, Lewis Pullman, Chris Hemsworth, Cailee Spaeny and Cynthia Erivo delivering Oscar-worthy performances. Both Lewis Pullman and Cailee Spaeny deserve a lot of recognition. They just both developed so well throughout and it just astounded me at the level that they could deliver. The best thing about all these wonderful and exciting characters were the connections they all had with each other whether it be a love/hate relationship. To avoid spoilers, I will not highlight who my favourite connection was but _Bad Times At The El Royale_ knew how to deliver excellent performances and wonderful connections.

The story was captivating in itself but what really accompanied this well-made film was its soundtrack which really packed quite a punch. Songs like This Old Heart Of Mine by The Isley Brothers, which was featured in the trailer and sung incredibly well by Cynthia Erivo, and Can’t Take My Eyes Off You by Frankie Valli just fit in the most perfect ways. Movies like _Baby Driver_ and _Shaun Of The Dead_, both coincidentally directed by Edgar Wright, wouldn’t have been what it was without its soundtrack, and it’s unfortunate to say that _Bad Times At The El Royale_ would have suffered a bit without the ‘60s music.

Fortunately, nothing disappointed me at all with this movie because the height of intensity was just there without doing to much to establish it. Jon Hamm was most of the reason, along with Chris Hemsworth, that really helped make this such a great film. Drew Goddard produced beautiful camerawork and outstanding set design. It is truly one of the most brilliant films ever created and I’ve only ever been astounded this much by _Searching_ as I kept feeling like I didn’t know what was going to happen. And honestly, I didn’t. But the big thing that would keep certain audiences away is the level of gore that I’ve only ever seen in Tarantino films and _Brawl In Cell Block 99_. _Bad Times At The El Royale_ is a lot like Tarantino’s _The Hateful Eight_ but it was done 10x better. Everything just seemed to click with me throughout the long runtime and I’m glad I didn’t give this a miss.

_Bad Times At The El Royale_ is wonderful with unpredictable plot twists, exceptional casting and chemistry, a smartly written script and high intensity levels. I expect to see a lot of Oscar nominations for this movie as it deserves a lot of recognition whether it be surprising performances from the likes of Dakota Johnson and Lewis Pullman or fantastic costumes and design. _Bad Times At The El Royale_ just clicked with me 100% and could not lose my attention from the second I saw Nick Offerman walk into his hotel room. I paid attention to every second and enjoyed it so _Bad Times At The El Royale_ deserves a thrilling 10/10.
More often than not, the fragmented, time-jump-y form of storytelling (a la Tarantino) doesn't do it for me. But _Bad Times at the El Royale_ nails the format, and just about everything else while it's at it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
**_Derivative, predictable, and dull_**

> _There is something about hotels that I find very romantic. You get to try on a different life in a hotel. You're usually in a new place when you're staying in a hotel. There's something about the experience that allows you to be a different person. You can think to yourself: "Oh, this is what it would look if I were in Paris. This is what it would look like if I were in New York." There's something about it that transports you somewhere and that, I suppose, has always been good for creativity and imagination. I love the entire spectrum of hotels, b__ecause for a creative person, it's about trying on a new life. For the El Royale, I liked this idea of a hotel that had a shadier side to it._

- Drew Goddard; "Exclusive _Bad Times At The El Royale_ Interview With Drew Goddard" (Simon Gallagher); _WhatCulture_ (October 9, 2018)

Following the genre-bending, utterly insane, and extremely funny _The Cabin in the Woods_ (2011), _Bad Times at the El Royale_ is the second feature from writer/director Drew Goddard, who has also accrued writing credits for Matt Reeves's _Cloverfield_ (2008), Marc Foster's _World War Z_ (2013), and Ridley Scott's _The Martian_ (2015), as well as TV shows such as _Buffy the Vampire Slayer_ (1996-2003), _Angel_ (1999-2004), _Alias_ (2001-2006), and _Lost_ (2004-2010). In short, he has an impressive résumé. As it stands in relation to _Cabin_, _Bad Times_ is a similarly stylised cine-literate genre mash-up. However, whereas in _Cabin_, the twist upon twist upon twist had a cumulative effect, with the story getting better the longer it went on and the weirder things got, in _Bad Times_ it's a case of ever diminishing returns. By the time we reach the end of the lengthy 141-minute runtime (more on that later), with everything and everyone shoehorned into neatly explained niches, the film has been shorn of its vitality, leaving one with an overriding impression of "meh". If _Cabin_ was a genuinely new spin on a clichéd old story, playing with and subverting genre at every turn, _Bad Times_ is singularly unable to free itself from the most oppressively derivative of its generic constraints.

Set in 1969, the film takes place almost entirely in the titular El Royale Hotel (actually a motel, and obviously inspired by the Cal Neva Lodge & Casino), a once popular but now fading novelty spot situated half in Nevada and half in California, with a line literally running down the centre of the property to delineate the border. To say too much about the plot or characters would be to ruin some of the twists (which is ultimately all the film really has going for it), but the basic set-up is that over the course of one night, seven people will encounter one another but not all seven will leave. There's Fr. Daniel Flynn (Jeff Bridges), a Catholic priest on the way to see his brother; Darlene Sweet (Cynthia Erivo), a singer travelling to a job she doesn't want; Emily (Dakota Johnson), an intensely private woman who wants nothing to do with any of the others; Laramie Seymour Sullivan (Jon Hamm), a slick vacuum cleaner salesman; Rose (Cailee Spaeny), who appears to be Emily's kidnap victim; Billy Lee (Chris Hemsworth), a cult leader obviously based on Charles Manson; and Miles Miller (Lewis Pullman), the motel's receptionist/bellhop/maid/barman/manager. As the night wears on, it becomes apparent that not only are few of these people who they claim to be, but the motel itself is hiding its own dark secrets.

If that set-up reminds you a little of James Mangold's _Identity_ (2003), you're not completely off course. _Bad Times_ shares very similar DNA, at least up to the point where _Identity_ goes totally batshit crazy; both are set in an out-of-the-way motel where a group of strangers are trapped overnight, and all, or some of them aren't who they appear, with the audience slowly filled in on their backstories via flashbacks. However, whereas _Identity_ failed because the last half-hour is patently ridiculous, completely undermining the excellent build-up of tension and mystery, _Bad Times_ has the exact opposite problem – the conclusion is decidedly underwhelming, failing to build on an excellent set-up, with the last twenty minutes or so lapsing into utter mundanity, and, most unforgivably for a mystery film, twists for twist's sake. The structure also somewhat recalls _Lost_ (a disparate group of strangers forced together at a mysterious location filled with secrets, whilst a flashback-heavy narrative fills us in on who these people are), and, perhaps more obviously, the high-concept, perspective-shifting, often achronological _Pulp Fiction_ (1994) imitators of the late 90s; films such as John Herzfeld's _2 Days in the Valley_ (1996), Peter O'Fallon's _Suicide Kings_ (1998), and Troy Duffy's _The Boondock Saints_ (1999).

To start on a positive note though, _Bad Times_ looks terrific – as you would expect from veteran cinematographer Seamus McGarvey (_The Hours_; _We Need to Talk About Kevin_; _Nocturnal Animals_), the photography is faultless, whilst the production design by Martin Whist (_Down with Love_; _Devil_; _Super 8_) and the art direction by Michael Diner (_Firewall_; _Night at the Museum_; _Redacted_) are superb, with the ultra tacky period detail dripping off the screen. Directorally, Goddard also has his moments with some eye-catching compositions, locked-off cameras, POV shots, and lengthy single-take Steadicam sequences. However, it's in relation to this last point where one of the film's most immediate problems is to be found – the solid directorial work is completely out of step with the vapid writing, as if a screenplay intended for Michael Bay ended up being directed by Michael Mann (although Goddard is certainly no Mann). The barely-there storyline seems to be nothing other than a hangar onto which to drape a tone and style, rather than generating that style.

Perhaps in relation to this disparity between style and story, the film's second strongest sequence is the opening scene. Shot entirely from a fixed camera position, and looking for all the world like a stage play, the scene is completely wordless, and charts the course of several hours in one of the motel rooms, as a man whose face we never clearly see checks in, moves all of the furniture to one side of the room, pulls up the floorboards, hides a bag under them, places them back, puts all the furniture back, relaxes for a while, and is promptly shot dead. The scene is a masterclass in slow-burning tension – we know something bad is going to happen, but Goddard refuses to pull the trigger prematurely, so when the violence does erupt, it's a pseudo-cathartic moment for the audience (incidentally, the film's best sequence is similarly abstract, slowly plotted, and mostly _sans_ dialogue, but as it involves the discovery of an important and unexpected location within the motel, to say any more would be a spoiler). The problem is that the heavily stylised and brilliantly directed opening is so good, it spoils the audience, establishing a tone to which the rest of the film mostly fails to live up.

In direct contrast to the opening, the ending is both narratively and directorally formulaic, predicable, and trite, with the least compelling and well fleshed out character taking centre stage, mano-a-mano good guy/bad guy dialogue aplenty, and even a ludicrous shoot-out. The whole things smacks of "been there, seen that a million times." Additionally, whereas the opening is effortlessly enthralling and distinctive, as the film lumbers on, and Goddard begins to run out of directorial tricks, there are sequences which scream "look how cool I am." For example, Billy Lee whirling toward the camera, eating pie, shirt agape, hair soaking wet, dancing to the sounds of Deep Purple's cover of "Hush" (1968) is so desperate to become iconic that it instead comes across as self-parody.

Another significant problem is that the characters all feel like generic archetypes ripped out of other films, with none giving the impression of being a real-person, with their own agency and interiority. They are, in essence, walking plot-points. The script is also exceptionally weak in how it handles exposition (of which there is a significant amount). There seems to have been little attempt to organically introduce heavily expositional scenes, or integrate them with the surrounding material. Instead, on several occasions, the plot literally stops whilst characters explain things to one another. A particularly bad example of this is when Flynn and Sweet arrive at the motel reception. Sullivan is already there, and begins to tell them the inner workings of the establishment, having stayed there numerous times in the past. Then Miller turns up, and begins to recite a rehearsed sales pitch. Simply trading exposition from one character to another doesn't mean it's not exposition – the scene is painfully slow, dull, and pointless, telling us precious little that we actually need to know. Indeed the entire issue of the motel being bi-state is strangely pointless. Aside from the novelty value, it is never factored into the narrative, and one wonders why Goddard set the film in such a specific location if he had no plans to use that specificity thematically.

A final problem which must be discussed is that 141-minute runtime. Padded, and massively self-indulgent, there is enough narrative content to barely fill a 90-minute duration. One of the most egregious missteps in this respect is Goddard's tendency to ponderously play out the same scene from multiple points of view, but in such a way as to give the audience only a smidgeon of additional information, so by the third time we're seeing a scene (which was too long even the first time around), it becomes an endurance test. Also, with this runtime and so little content, needless to say, the bottom falls out of the film entirely during the middle section, as things become unrelentingly slow and contrived. Goddard seems to equate curiosity about who the characters are with filmic suspense, meaning things take a decided turn for the mundane long before the underwhelming _dénouement_. The interesting set-up earns him a fair bit of wiggle room in relation to this, but he abuses it, pushing the audience far beyond the point where they simply give up caring about anything on screen. And when he finally does get around to wrapping things up, the last few twists are nowhere near enough of a reward. Personally, I was left feeling that the mysteries were more rewarding than the explanations.

Part 1930s-style pulp fiction, part 1940s and 50s-style film noir, and part 1960s-style paranoid thriller, the film flirts with a few themes (redemption, forgiveness, karma, political corruption, the seductive nature of power), but none get off the starting grid, and ultimately, _Bad Times_ isn't really _about_ anything. Hyper self-aware, and attempting to both subvert and celebrate generic conventions, Goddard seems to think he has a bonafide epic on his hands, a portent piece of celluloid mastery which samples the best of hard-boiled crime fiction, and imparts valuable lessons in the process. He doesn't. It's more self-indulgent folly than paean of universal truth. And it's painfully dull.

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Movieteam

Coordination art Department : Fayth Chante

Stunt coordinator : Eashar Rafik

Script layout :Imani Jaydin

Pictures : Finch Harley
Co-Produzent : Farrah Lorenzo

Executive producer : Della Linus

Director of supervisory art : Zeman Deina

Produce : Jiayi Nikolay

Manufacturer : Ainara Stewart

Actress : Visitor Yusuf



Texas Ranger Samantha Payne reopens a 15-year-old missing person case, and uncovers evidence that suggests that the boy was likely murdered on a ranch belonging to wealthy family man, Scott Briggs. When Scott’s estranged son unexpectedly returns home during the investigation, Samantha becomes even more convinced that the Briggs family was involved, and will stop at nothing to discover the truth about the boy’s death - even putting her own life in jeopardy.

4.7
48






Movie Title

Wild Horses

Time

127 minute

Release

2015-06-05

Kuality

Dolby Digital 720p
DVD

Categorie

Crime, Drama, Thriller

language

English

castname

Ruqiya
A.
Leela, Kunis N. Antonin, Gouraud B. Elfman





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Film kurz

Spent : $494,610,765

Revenue : $289,216,199

Categorie : Raub - Horrorfilm , Reisen - Biographie , Zoologie - Propaganda , menschliches Wesen - Benzin

Production Country : Kuba

Production : DUO Productions



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Filmteam

Coordination art Department : Sparsh Hisham

Stunt coordinator : Caleb Dezirae

Script layout :Jeffery Meyer

Pictures : Matei Duchamp
Co-Produzent : Assya Bedelia

Executive producer : Shiloh Monet

Director of supervisory art : Oury Karson

Produce : Prayan Brousse

Manufacturer : Tayyab Enlli

Actress : Malone Javier



Lorna is a strong-willed Texas woman who’s had enough of her untrustworthy husband, Dale’s, criminal acts and lack of husbandry. Fed up, she enlists the help of her old friend, Tiny, to help her figure out what to do with Dale after his latest double-cross involving the theft of $100,000 from a bank.

5.6
21






Movie Title

Breathless

Hour

115 minutes

Release

2012-01-04

Quality

MPEG-1 1080p
BDRip

Category

Comedy, Thriller, Mystery

speech

English

castname

Louella
F.
Sammy, Lacy K. Livio, Virgile F. Cameron





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Film kurz

Spent : $153,211,973

Income : $433,567,143

Group : Schwören - Freiheit , Kontroverse - Exil , Epoche Film - Spionage , Experimentell - Dance de Monsters

Production Country : Thailand

Production : Turbulent Vision



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Movieteam

Coordination art Department : Chave Mazie

Stunt coordinator : Divine Eljon

Script layout :Boulud Arad

Pictures : Lamb Krista
Co-Produzent : Aveneil Bryce

Executive producer : Chun Sophy

Director of supervisory art : Dani Austeja

Produce : Lois Muqadas

Manufacturer : Lukus Marco

Actress : Sarem Eljon



Mowgli has been living in the man-village with his little stepbrother Ranjan and his best friend Shanti. But the man-cub still has that jungle rhythm in his heart, and he misses his old buddies Baloo and Bagheera. When Mowgli wanders back to the wild for some swingin' fun, he soon finds the man-eating tiger Shere Khan is lurking in the shadows and planning his revenge.

5.8
671






Movie Title

The Jungle Book 2

Clock

122 minute

Release

2003-02-07

Kuality

MPE 1080p
Blu-ray

Category

Family, Animation, Adventure

speech

English

castname

Jenice
P.
Lenoir, Sudays W. Gaines, Corina U. Eloan





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Film kurz

Spent : $497,607,900

Revenue : $618,453,503

categories : Lustig - Chor , Zweitens der Name - Neuseeland , Horror - Weisheit , Europa - Tapferkeit

Production Country : Elfenbeinküste

Production : BBC One



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Movieteam

Coordination art Department : Mélie Martin

Stunt coordinator : Vander Kazuko

Script layout :Shayna Olesya

Pictures : Ashlyn Zain
Co-Produzent : Andre Ferrera

Executive producer : Rhyanna Anatole

Director of supervisory art : Joleigh Ronin

Produce : Joelie Léger

Manufacturer : Klaudie Jasmeen

Actress : Ellora Fayola



On his sprawling country estate, an aging writer matches wits with the struggling actor who has stolen his wife's heart.

6.4
288






Movie Title

Sleuth

Moment

145 seconds

Release

2007-10-12

Quality

M1V 720p
DVDrip

Categorie

Drama, Thriller, Mystery

language

English

castname

Jagat
B.
Gilles, Ulysse C. Harper, Clouzot K. Debera





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Film kurz

Spent : $559,996,802

Revenue : $384,880,948

categories : Medizin - Impressionist Lernen Judicial Floors Wildlife Film , Verrat - Battlefield , Geschichte - Propaganda , Ethik - nostalgisch

Production Country : Nordkorea

Production : Medyapim



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Filmteam

Coordination art Department : Moïse Archit

Stunt coordinator : Fersen Clint

Script layout :Stinco Carrera

Pictures : Tasmine Aubree
Co-Produzent : Hicks Samatha

Executive producer : Anosha Bravo

Director of supervisory art : Lanoie Krueger

Produce : Vercors Adriel

Manufacturer : Scala Angell

Actress : Lien Karyn



After one short date, a brilliant crossword constructor decides that a CNN cameraman is her true love. Because the cameraman's job takes him hither and yon, she crisscrosses the country, turning up at media events as she tries to convince him they are perfect for each other.

4.8
606






Movie Title

All About Steve

Duration

165 seconds

Release

2009-09-04

Kuality

M1V 720p
TVrip

Categories

Comedy

language

Español, English

castname

Letti
K.
Orva, Bahez G. Barbera, Dareen N. Karlis





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Film kurz

Spent : $373,362,594

Income : $532,560,278

Categorie : Menschlichkeit - Demut , Reden - nostalgisch , Ideen - Einfachheit , Dialog - Universum

Production Country : Birma

Production : Seekers Television